[private]
As usual, Light is sitting in the kitchen, with a plate and a journal before him. Not quite as usually, he's neglecting both of them. He stares through the paper like he doesn't see it, and he's letting the little mound of cabbage cool.
What's wrong with him today? - well, he knows what's wrong with him, and he doesn't like it.
What's wrong with him today? - well, he knows what's wrong with him, and he doesn't like it.
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"I wouldn't argue with that." It's true, after all, that this is familiar territory for him. "But I'd ask you to consider how unlikely it is that someone would go to the effort of abducting you, and then leave you in a corridor both unattended and armed. Do you remember being attacked?"
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Is he still being underestimated? Troublesome. He'll have to make an example of this one, he supposes. An unfortunate necessity, but at least time spent taking down scum is time not spent victimizing the innocent.
"And I wouldn't say I'm unattended," he adds. "And neither should you. Self-confidence is key in our line of work."
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It's clear that L-in-the-corridor either doesn't recognise Light's voice, or is pretending not to, and that thought is what leads him to introduce himself. "As for my line of work, somehow I doubt that we share one. I'm a doctor. My name is Light Yagami. I was brought here the same way that you were."
Which means, he adds to himself, that I have information you need. That's got to be worth a thing or two.
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It's then that it finally comes into focus, the nagging feeling of déjà vu he's had throughout all of this. The imperious way not-quite-L is ordering him around at gunpoint - it reminds him of the Russian officers who'd been detailed to the camp from the invaluable natural resources in East Kamchatka. The way they'd offended what was left of his pride more than he could stand, until he'd learned to forget he ever had any. You, clean this guy up before we have to hit him again.
On top of the morning he's had, with the whispering, curious voice in his ear, and younger-Light passing through to rub salt in the wound - well, it's not helping, put it that way. Besides anything, L has him hemmed cleanly into the kitchen; he can't leave until this is resolved.
So, adopting a flat, utterly inoffensive demeanour, he steps slowly out into the corridor, both hands at his sides in plain view. There's something about him that suggests "street person" - he's dishevelled, worn down and too thin. Then there's the sword, of course - which he's clearly in no position to use.
For his own part, even with the gun pointing at him, Light assesses L with his usual unblinking calm. "Are you going to shoot me, or can we converse like grown men here?"
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But there's no slouch, and no faked expression of innocence: The eyes, while undeniably huge, are no wider than necessary, and his only expression at the moment is mild amusement at the echo of his own words. His clothes even fit better, although not by much, and this makes it possible to discern that he's somehow both skinner and healthier-looking than most Ls.
Most notable, though, is the long, pale scar down his neck, from his ear down and across to his collarbone, as though at one time, he very nearly had his throat slit.
In the time it takes to notice half these things, L's given Light Yagami a quick once-over and drawn his conclusions. East Asian. Scruffy. Damaged. With a sword, too. Symbolic, maybe? L finds himself hoping it's utilitarian. He can fight barehanded against blades, but he'd rather not deal with an organized lunatic hierarchy.
"I'm not going to shoot you if I can help it," he says, when he's done with his assessment. "But the gun is staying out. I'm sure you'd do the same in my place. But there's no reason we can't talk. Of course," he adds, "if you'd take off your sweater and your backpack, I'd probably holster it."
Utterly lacking in any sort of thug demeanor, as well, which is interesting. Maybe he was telling the truth about the abduction business.
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He's not reacting at all correctly for a civilian in front of a gun; his manner's cool, distant where another Light might summon superiority and amusement. And he doesn't react as if he's used to defending himself, either - while his eyes are as alert as ever, and he's still and poised enough to make it clear he's ready to spin on a sixpence, there's no sign that he's going to move for that battered old sword he's wearing.
His hands rest against his sweater, wirily thin and unthreatening at his sides, and his voice is as calm and certain as if he's the one in control here. "No, I think I won't be doing that. But I'll make a compromise with you. I'll leave my hands in the open, and if I put them away before you're satisfied, you can shoot me." It's said without a blink.
"Is that acceptable?" He says it as if he knows it will be. You see, we're reasonable people, you and I. There's no reason for this.
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But, as the other man's tone reminds him, this isn't his territory, and so far he's been either absurdly fortunate or extremely well-treated. Quit while you're ahead. Sighing through his nose, he leans back against the wall, and, since his arm is getting tired and aim is hardly likely to be a problem at this range, shifts the gun to his other hand.
"Talk, then."
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"I asked if you remembered arriving here. If you were attacked." It actually doesn't occur to him to append a waspish Shall we try that one again?"
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